Week 1

Dec. 12

Makers of English

No Class (Constitution Day observed)

Dec. 15

1: Folk

Reading

• Giambattista Basile, "The Three Citrons" (1634)

• Jacob and Wilhelm Grimm, "Little Snow-White," Children's and Household Tales (1812)

  • Alfred Nutt, "The Lai of Eliduc and the Märchen of Little Snow-White" (1892)
    
  • Grimm Brothers' Home Page
  • Snow White
• *Angela Carter, "The Snow Child," The Bloody Chamber and Other Stories (1979; study guide)
• Helen Simpson, "Femme Fatale," The Guardian (2006)
• Anna Katsavos, "A Conversation with Angela Carter" (1988)
• Angela Carter, "Notes from the Front Line," Shaking a Leg: Collected Writings (1998)
  
• James Finn Garner, "Snow White," Politically Correct Bedtime Stories (1994)
• Once Upon a Retelling: Politically Correct Bedtime Stories by James Finn Garner (review)
  
• Alice Abler, "The Moral of the Story" (2008)
  
• Charles Dickens, "Frauds on the Fairies," Household Words (1853)
• Some film adaptations
  
• Snow White and the Seven Dwarfs (1937; video clips: part 1 10:37 min., part 2 10:49 min., part 3 9:34 min., part 4 11:02 min., part 5 10:00 min., part 6 10:37 min., part 7 12:29 min., part 8 7:56 min.)
• American Cultural History 1930–1939
  
• Snow White: A Tale of Terror (1997; video clips: part 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12)
  
• Mirror, Mirror (2012) trailer (video clip, 2:33 min.)
  
• Snow White and the Huntsman (2012) trailer (video clip, 1:52 min.)

Week 2

Dec. 19

2: Religion and Science

Reading

• *John Milton, Sonnet XIX ["When I consider how my light is spent"] (1640s or 1650s; study guide)
• John Rogers, "Lecture 3: Credible Employment," Yale University (transcript, audio, video)
• John Milton, "Ad Patrem" (a poem in Latin to his father with notes and links to the original Latin and an English translation)
• Katharine Fletcher, "A Biography of John Milton, 1608–1674"
  
• Carol Barton, "'They Also Perform the Duties of a Servant Who Only Remain Erect on Their Feet in a Specified Place in Readiness to Receive Orders': The Dynamics of Stasis in Sonnet XIX ("When I Consider How My Light is Spent.")," Milton Quarterly (1998; Chula access)
• John Spencer Hill, "Chapter 3: Prophetic Vocation, 1641–60," John Milton: Poet, Priest and Prophet (1979)
  
• John Milton (brief bio)
  
• King James Bible
• Matthew 20:1–14 (The Parable of the Workers in the Vineyard)
• Matthew 25:14–30 (The Parable of the Talents)
  
• Phillis Wheatley, "To the University of Cambridge, in New-England" (1834)
• Biography
  
• Walt Whitman, "When I Heard the Learn'd Astronomer," Leaves of Grass (1865, 1891–92)
• Ed Folsom and Kenneth Price, Walt Whitman, The Walt Whitman Archive

Dec. 22

3: Sea and Home

Reading

• *John Masefield, "Sea-Fever" (1900)

  • John Masefield (1878–1967): A Biographical Sketch

  • Joseph Conrad, "Initiation," The Mirror of the Sea (1906)
  • Joseph Conrad, "Tales of the Sea," Notes on Life and Letters (1898)
• *Mary E. Mann, "Little Brother," The Oxford Book of English Stories (1902)
• Charlotte Brontë, "Biographical Notice of Ellis and Acton Bell" (1850)

Week 3

Dec. 26

4: Convention and Individuality I

Reading

• *Sir Gawain and the Green Knight, trans. Simon Armitage (c 1400, 2007) Introduction, Part I and II
  
• BBC Four: Sir Gawain and the Green Knight ("Poet Simon Armitage goes on the trail of one of the jewels in the crown of British poetry"; video clip, 59:00 min.)
  
• Simon Armitage, "The Knight's Tale," The Guardian (2006)
• Sir Gawain and the Green Knight (historical background, poetic form, audio clip of first stanza; another audio clip of the first 7 lines here)
  
• Alliterative Verse
  
• Bob-and-Wheel
• The Beheading Game
  
• Sir Gawain and the Green Knight, trans. Jessie L. Weston (1999)
• Sir Gawain and the Green Knight, trans. Ernest J. B. Kirtlan (1912)
• Notes on Sir Gawain and the Green Knight
  
• Audio Readings: Middle Ages (audio clips)

Dec. 29

5: Convention and Individuality II

Reading

• *Sir Gawain and the Green Knight, trans. Simon Armitage (c 1400, 2007) Part III and IV
  
• Sir Gawain and the Green Knight II
• Study Questions
• Symmetry in Sir Gawain and the Green Knight
  
• Romance
• Gawain
  
• Ian Johnston, "On Sir Gawain and the Green Knight" (2001; lecture text)
• Sir Gawain and the Green Knight: Source, Structure and Themes
• Sir Gawain and the Green Knight: Pictures
• Sir Gawain and the Green Knight Abridged Audio (2007 audio clip; "Simon and four actors read long extracts from Sir Gawain and the Green Knight at the Cottelsloe Theatre at the National Theatre on the South Bank in London"; Readers: Andrew Beynon, Sinead O'Keeffe, Patrick Marlowe, and Mark Tandy, directed by John Burgess)
  
• Matthew Winslow, Review, Sir Gawain and the Green Knight, trans. J. R. R. Tolkien, narrated by Terry Jones, Green Man Review (1997)
  
• Elizabeth A. Hoffman, "A Re-Hearing of 'Sir Gawain and the Green Knight'"

Week 4

Jan. 2

Shaping Taste

No Class (New Year's Day observed)

Jan. 5

6: Business, Politics, and Technology

Reading

• *Joseph Conrad, "An Outpost of Progress" (1897; study guide)
  
• BBC Four: Congo—The Brutal History (video clip, 9:47 min.)
• Congo: White King, Red Rubber, Black Death (2003 documentary; video clip, 84 min.)
  
• Joseph Conrad, "Preface," The Nigger of the Narcissus (1897)
  
• Gail Fraser, "The Short Fiction," The Cambridge Companion to Joseph Conrad (2004)
  
• Roger Casement, "Report on the Administration of the Congo Free State" (1904)
  
• Peter Cook and Kenny Lerner, "Need" (2006; video clip)
• Deaf Jam: A Film by Judy Lieff: ASL Poetry (2011)
  
• Flying Words Project
• The Kennedy Center: Peter Cook, Mario Hernandez, and Monique Holt ("Join the storytellers for a family friendly evening of stories told in American Sign Language"; video clip, Cook's story segment: 29:36–55:55 min.)
• Michael Wesch, "An Anthropological Introduction to YouTube," Library of Congress (2008; video clip, 55:34 min.)

Week 5

Jan. 9

7: Inventions American

Reading

• *Emily Dickinson, "Safe in their Alabaster Chambers" (216) (1861; study guide)
• Responding to Emily Dickinson: Poetic Analysis (lesson on this poem)
  
• Lilia Melani, "Safe in their Alabaster Chambers" (poem text and commentary)
• "A man may make a Remark" (952)
• Emily Dickinson Writing a Poem
• Preface (reading questions)
• Introduction
• Emily Dickinson's Life
• The Manuscripts
  
• Dickinson's Letters
• Thomas Wentworth Higginson, "Emily Dickinson's Letters," Atlantic Magazine (1891)
• Emily Dickinson's Letters (with images)
  
• Dickinson Electronic Archives
• *Mark Twain, "A Dog's Tale" (1903)
• Mark Twain, "How to Tell a Story" (1895)
• Samuel Langhorne Clemens (biography)
• John McChesney, "'The Autobiography Of Mark Twain': Satire To Spare" (2010; audio clip, 7:20 min.)
• Mark Twain, "My Debut as a Literary Person," Autobiography of Mark Twain, vol. 1 (1898)
• Sarah Churchwell, "Mark Twain: Not an American but the American," The Guardian (2010)
• The Making of America, Cornell University ("digital library of primary sources in American social history from the antebellum period through reconstruction")
  

Jan. 12

8: Inventions Modern

Reading

• *Virginia Woolf, "The Mark on the Wall," Monday or Tuesday (1921)

  • Virginia Woolf, "Modern Fiction," The Common Reader (1925)
    

  • Lauren Holmes, "Monday or Tuesday"

  • Susan Dick, "Introduction" and "Editorial Procedures," The Complete Shorter Fiction of Virginia Woolf (1989)
    

• Vladimir Nabokov, Speak, Memory excerpt (1951)

  • Brian Boyd on Speak, Memory (1999)

  • Life and Times

  • Biography
    
  • Zembla

Week 6

Jan. 16

No class (Intervarsity Games: January 14–21, 2010)

Jan. 19

No class (Intervarsity Games: January 14–21, 2010)

Week 7

Jan. 23

Forming Meaning

9: Intertextuality

Reading

• *Carol Ann Duffy, "Anne Hathaway," The World's Wife (1999)
• Carol Ann Duffy, Anne Hathaway (content, form, language)
• Barry Wood, "Carol Ann Duffy: The World's Wife" (2005; interview)
• Shakespeare's Will, The National Archives
  
• Carol Ann Duffy, "Love Poetry," Sheer Poetry (2010)
• Zoë Fairbairns, "Carol Ann Duffy—Visibility for Poetry," newbooks 55 (2010; interview)
• Glen Levy, "Carol Ann Duffy," Time (2009)
  
• Samuel Johnson, "Preface to Shakespeare" (1765)
• W. Jackson Bate, "Chapter 1" and "Chapter 32," Samuel Jackson (1998) excerpts
• John Milton, "On Shakespeare" (1630)
• Virginia Woolf, "Some Remarks on Milton" (1912–18)
• *William Shakespeare, The Tempest act 1 scene 2 excerpt
• *Aimé Césaire, A Tempest act 1 scene 2 excerpt
• Tim Crouch, I Caliban (2003)
• Tim Crouch, An Oak Tree (2005)
• Tim Crouch Theatre: An Oak Tree (images, video, reviews, technical sheet, etc.)
  
• Tim Crouch's Theatrical Transformations: A Conversation with Caridad Svich (2006)
• Interview: Tim Crouch (2007; audio clip, 36:27 min.)
• Bella Todd, "Interview with Tim Crouch," The Argus (2007)
• "One Night Stand," The Guardian (2007; "How does it feel to play opposite a new co-star--a famous one--each night of your show? Tim Crouch tells all.")
  
• Michael Craig-Martin, An Oak Tree (1973)
• Michael Craig-Martin: An Oak Tree (with text of the piece)
• The John Tusa Interviews: Michael Craig-Martin (with link to audio clip)
• Johann Sebastian Bach, The "Goldberg" Variations (1741)
• Glenn Gould performing Bach's Goldberg Variations part 1, 2, 3, 4, 5, 6 (each audio clip is 9 min. except the last which is 6:30 min.)
• The "Goldberg" Variations

Weekly 6

Jan. 26

10: People and Religion Redux

• *Alice Walker, "Everyday Use"," In Love and Trouble: Stories of Black Women (1973; study guide)
• Henry Louis Gates, Jr., "Color Me Zora: Alice Walker's (Re) Writing of the Speakerly Text" (1988)
• "Sinking of the Titanic"
• Mona Lisa Saloy, "The African American Toast Tradition"
• Bruce Jackson: African-American "Toast" Poems (audio clip, 9:15 min.)
• Zora Neale Hurston, "Characteristics of Negro Expression" (1934)

Week 8

Jan. 30

No class (Midterm week: January 30–February 3, 2012)

Feb. 2

Midterm Exam (8–10 a.m. in class)

The midterm covers material from the beginning of the semester through week 7. There will be essay questions from which you will choose two to write on. As always, it is helpful to take a few minutes to plan an outline before writing your essays. Formulate a thoughtful thesis/argument in responding to the question that allows you to address effectively the requirements of the prompt. For each prompt, you do not need to answer every single question in the cluster in order and separately. The sub-questions are there to help you think about the topic. Cite specific acts, scenes, lines, or words in support of your argument. You will want to show us your critical and analytical skills: demonstrate that you have read closely and understood the material, that you can critically engage with that material, with discussion in class, and with the test question, that you can synthesize material and knowledge gained, and that you can write clear and effective prose. Give your essays a title if you like.

• Writing
• Writing Prose (handbook on college writing, Yale University; pdf file)
• Sources and Citation (Dartmouth College; pdf file)
• Reading Strategies
• A General Study Guide
• Reading Strategies and LIE
• S.O.A.P.S. Document Analysis
• PDIDLS
• Tone and Detailed Explanation of DIDLS
• Essay Exam Tips
• Writing Exam Essays
• Pointers for Taking Essay Tests
• Writing Essay Exams (pdf file)
• Essay Exam Preparation (pdf file)
• Review literary terms
• Sample Midterm Questions and Responses
• Sample Midterm & Answers (the gothic experience)
• Example of Strong Responses (Romantic literature)
• Sample Midterm Questions (pdf file)
• Sample Midterm Essay Response
• What Is Plagiarism?

Feb. 3

Play: (7:30–9:00 p.m., Sodsai Pantoomkomol Center for Dramatic Arts) An Oak Tree with Tim Crouch

Feb. 4

Play: (7:30–9:00 p.m., Sodsai Pantoomkomol Center for Dramatic Arts) An Oak Tree with Tim Crouch

Week 9

Feb. 6

Art: Witness

11: Society and the Personal

Reading

• *Helena María Viramontes, "The Moths," The Moths and Other Stories (1985; study guide)
• Voices from the Gaps: Helena Maria Viramontes (biography, criticism)
• Helena María Viramontes Biography
• Helena María Viramontes (official web page)
  

Feb. 9

12: Events and Expectations

Reading

• *Tim O'Brien, "The Things They Carried," The Things They Carried (1986; study guide)
  
• Tim O'Brien, "How to Tell a True War Story" (1990)
• Tim O'Brien, "Writing Vietnam" (President's Lecture, Brown University, 1999)
  
• "The Things They Carried, 20 Years On," Talk of the Nation, NPR (2010; includes audio clip, 30:21 min., and transcript)
• "The Things They Carried Back from Vietnam," Fresh Air, NPR (1990; audio clip, 14:18 min.)
  
• The Vietnam War
• About the Vietnam War (1960–1975)
• Domino Theory Principle, Dwight D. Eisenhower, 1954 (transcript of news conference)
• The Wars for Viet Nam: President Nixon's Speech on "Vietnamization," November 3, 1969
  
• Guided Readings: The Vietnam War
  
• The War in Vietnam, 1954–1964
• Glossary of Military Terms and Slang from the Vietnam War
• Declassified CIA Documents on the Vietnam War
• Documents Relating to American Foreign Policy: Vietnam
  
• Mark Twain, "Comments on the Moro Massacre" (1906)

Week 10

Feb. 13

13: Relationships in Art

Reading

• *Ezra Pound, "In a Station of the Metro" (1913)
• On "In a Station of the Metro"

Feb. 16

14: Stereotypes

Reading

• *Flannery O'Connor, "Good Country People" (1955; study guide)
• Robert Giroux, "Introduction," Flannery O'Connor: The Complete Stories (1971)
• Flannery O'Connor, "Some Aspects of the Grotesque in Southern Fiction" (1960)
• Flannery O'Connor, "Fiction Is a Subject with a History--It Should Be Taught That Way" (1963)
• Laura L. Behling, "The Necessity of Disability in 'Good Country People' and 'The Lame Shall Enter First,'" Flannery O'Connor Review (2006)
  

Week 11

Feb. 20

15: Staging Concepts I

Reading

• *Samuel Beckett, Waiting for Godot (1956) act 1 (study guide)
  
• Lawrence Graver, "Chapter 1: En attendant Godot/Waiting for Godot: Genesis and Reception" (2004)
• Lucky's Speech
  
• Beckett on Film
• Bob Corbett, "What Is Existentialism?" (1985)
• Existentialism

Feb. 23

16: Staging Concepts II

Reading

• *Samuel Beckett, Waiting for Godot (1956) act 2 (study guide)
• David Bradby, "Beckett's Production of Waiting for Godot (Warten auf Godot)," A Companion to Samuel Beckett (2010)
• Ted Sod, Interview with Annette Saddik on Waiting for Godot (2009)

Week 12

Feb. 27

17: Growth of a Poet

Reading

• *Seamus Heaney, "Digging," Death of a Naturalist (1966)
• Adam Kirsch, "Seamus Heaney, Digging with the Pen," Harvard Magazine (2006)
  
• Seamus Heaney, "One Hand: An Introduction to the Poetry of Seamus Heaney" (2005)
• Seamus Heaney, "Nobel Lecture" (1995)
  
• Anne Stevenson, "A Pen, Snug as a Gun," The New York Times (1990)

Mar. 1

18: Ideas of an Other and Torture

Reading

• *J. M. Coetzee, Waiting for the Barbarians (1980) pp. 1–32 (study guide)
• Franz Kafka, "In the Penal Colony" (1914)
• Franz Kafka, "Before the Law" ()
• Franz Kafka, "An Imperial Message"
• Franz Kafka, "An Imperial Message," trans. Ian Johnston
  
• C. P. Cavafy, "Waiting for the Barbarians" (1904)
• C. P. Cavafy, "Waiting for the Barbarians," trans. Richmond Lattimore (1955; includes analysis of the poem and discussion questions)
• Maria Boletsi, "The Travels of a Literary Topos: C. P. Cavafy's 'Waiting for the Barbarians' and its Visual Restagings"

Week 13

Mar. 5

19: Secrets

Reading

• *J. M. Coetzee, Waiting for the Barbarians (1980) pp. 32–48 (study guide)
• Christopher van Wyk, "In Detention," It Is Time to Go Home (1979)
• J. M. Coetzee, "The Novel in Africa" (1998)
• South African Views on Apartheid (video clip; 2:10 min.)
• South African History Online

Mar. 8

20: Guilt, Shame, Expiation 

Reading

• *J. M. Coetzee, Waiting for the Barbarians (1980) pp. 48–78 (study guide)
• David Attwell, J. M. Coetzee: South Africa and the Politics of Writing (1993)
• J. M. Coetzee, Boyhood chapters 2 and 7

Week 14

Mar. 12

21: Freedom 

Reading

• *J. M. Coetzee, Waiting for the Barbarians (1980) pp. 78–96 (Part III) (study guide)
• Susan Van Zanten Gallagher, "Torture and the Novel: J. M. Coetzee's Waiting for the Barbarians" (1988)
• J. M. Coetzee, Youth chapters 1, 7, and 17

Mar. 15

22: The Land 

Reading

• *J. M. Coetzee, Waiting for the Barbarians (1980) pp. 96–126 (study guide)
• J. M. Coetzee, "Notebooks," Summertime excerpt

Week 15

Mar. 19

23: Growth of a Writer 

Reading

• *J. M. Coetzee, Waiting for the Barbarians (1980) pp. 126–65 (end of Part V) (study guide)
• J. M. Coetzee, "Sophie," Summertime
  

Mar. 22

24: Writing and the Future 

Reading

• *J. M. Coetzee, Waiting for the Barbarians (1980) pp. 165–80 (end) (study guide)

Week 16

Mar. 26

Presentations

• If you are planning to use PowerPoint, make sure it is compatible with Microsoft PowerPoint 2003 version. Also embed or include files of any nonstandard fonts that are in your presentation.

• Let me know of any other audiovisual needs by 4 p.m. Friday, March 23, 2012.

• 5-minute individual presentation (15 minutes per panel) followed by

• 10-minute question and answer session

• Tentative Schedule

1. Ironic Meanings, Contrary Values

11:00–11:25 a.m.

Presiding: Suntipap Waikittipong

Speakers: 

1.  "Position in 'Good Country People,'" Siros Mahawattanaungkoon

2.  "Goodness in O'Connor's Short Stories," Natthakarn Amatayakul

3.  "Heritage in 'Everyday Use,'" Wilaiporn Chokchaikatanyoo

Respondent 1: Pataranuch Sithivanich

Respondent 2: Orapan Metasade

Respondent 3: Punnapa Stapornviriyakul

2. "The Things They Carried"

11:30–11:55 a.m.

Presiding: Punnapa Stapornviriyakul

Speakers: 

1.  "Tim O'Brien's 'The Things They Carried and 'How to Tell a True War Story' and Change in Attitude," Chalit Chiarakiat

2.  "The Instability of Things in 'The Things They Carried,'" Jamie Sanawat Iangsam-ang

3.  "Capability and Incapability in 'The Things They Carried,'" Thananon Nontula

Respondent 1: Pimpida Pitaksonggram

Respondent 2: Wilaiporn Chokchaikatanyoo

Respondent 3: Kanchana Manalert

Mar. 29

Presentations

Schedule (program pdf file)

3. Potluck Breakfast

7:45–9:55 a.m.

Theme breakfast hosted by 2202235 section 1. Currently on the menu: Vietnamese summer roll, boneless fried chicken, southern potato salad, cake, fresh strawberries, grape juice.

4. Cruel Goodness

8:00–8:25 a.m.

Presiding: Natthakarn Amatyakul

Speakers: 

1.  "The Cruelty of Education," Kanchana Manalert

2.  "The Significance of the Wounded Food and Foot Washing in Waiting for the Barbarians," Orapan Metasade

3.  "Animal Experimentation in Mark Twain's 'A Dog's Tale,'" Punnapa Stapornviriyakul

Respondent 1: Natcha Patcharawetin

Respondent 2: Thananon Nontula

Respondent 3: Kulinthorn Kleephun

5. "The Moths"

8:30–8:55 a.m.

Presiding: Orapan Metasade

Speakers: 

1.  "An External Solution Can Help Solve an Internal Conflict," Suttipong Pibanwong

2.  "Paper Title," Bulwach Sereechaiporn

3.  "'The Moths' and the Rebirth of Chicanas," Pataranuch Sithivanich

Respondent 1: Santipap Waikittipong

Respondent 2: Nattawan Auscharanuwat

Respondent 3: Chalit Chiarakiat

6. The Quick and the Dead

9:00–9:25 a.m.

Presiding: Pataranuch Sithivanich

Speakers: 

1.  "Why Did Kayerts and Carlier Have a Tragic Ending?," Natcha Patcharawetin

2.  "The Relationship between Vladimir and Estragon in Waiting for Godot," Kulinthorn Kleephun

3.  "Afterlife," Pimpida Pitaksonggram

Respondent 1: Jamie Sanawat Iangsam-ang

Respondent 2: Bulwach Sereechaiporn

Respondent 3: Natthakarn Amatayakul

7. The Quick and the Dead

9:15–9:40 a.m.

Presiding: Thananon Nontula

Speakers: 

1.  "The Stream of Consciousness in 'The Mark on the Wall,'" Thanwa Poolseree

2.  "Paper Title," Nattawan Auscharanuwat

3.  "Paper Title," Suntipap Waikittipong

Respondent 1: Suttipong Pibanwong

Respondent 2: Thanwa Poolsaereee

8. Literary Readings

9:40–9:55 a.m.

Readers: 

1. 

2. 

3. 

4. 

5. 

6. 

7. 

8. 

Final paper due

• 3–5 pp.

• MLA format

  • MLA Style

  • Citation Styles Handbook: MLA

  • MLA Citation Examples

  • MLA Style Guide

• Some writing guidelines:

  • "Some Matters of Form" by Yale University (writing guidelines; pdf file)

  • Writing Prose (handbook on college writing, Yale University; pdf file)

  • Sources and Citation at Dartmouth College (pdf file)

  • Argument (arguments are everywhere, making a claim, evidence, audience, critical reading)
    

  • Writing about Literature

  • Writing Papers for English and Literature: A Word of Advice (also A Few Things to Remember)

  • The Craft of a Literature Paper

  • Writing a Literature Paper: Guidelines, Suggestions, Strategies

  • What Makes a Good Literature Paper?

  • Guide to Essay Writing (helpful reference, where to start, evidence, argument, what is a good essay)

  • Writing about Literature (elements of the essay, the writing process, the research essay, documentation)

  • Developing an Outline (pdf file)

  • How to Write an Outline

  • Writing

• Sample Papers
• Faith B. Dickens, "Whims of the Wealthy: Marriage and Desire for Sense and Sensibility’s Miss Grey" (2011)
  

• What Is Plagiarism?

Week 17

Apr. 2

Final Exam (8:30–11:30 a.m.) Dictionaries (electronic or paper) are not allowed in the exam room.

• Preparation

  • Writing Exam Essays

  • Pointers for Taking Essay Tests

  • Writing Essay Exams (pdf file)

  • Essay Exam Preparation (pdf file)

• Sample Responses

  • Sample Poetry Question on Kvlividze's poem "In the Metro" (with sample responses)

  • Example of an 'A' Response to an Exam on Wordsworth's "The world is too much with us"

  • Sample Exam Answer

• What Is Plagiarism?

• Reading Strategies

  • TP-CASTT (brief), Poetry Analysis: TP-CASTT (more detailed)

  • Tone and Detailed Explanation of DIDLS

  • S.O.A.P.S. Document Analysis

  • Reading Strategies and LIE

  • PDIDLS

• Review literary terms