Faculty of Arts,
Chulalongkorn University
"The
Palace Thief"
(1993)
Ethan Canin
(July
19, 1960– )
"The Palace Thief" Notes
This short story by Ethan Canin
was first published in The Paris Review 128 (fall
1993).
169 St. Benedict:
patron saint of Europe and of school children
- Saint Benedict of Nursia, Nursia also spelled Norcia (born c. 480,
Nursia [Italy]—died c. 547, Monte Cassino; feast day July 11, formerly
March 21), founder of the Benedictine monastery at Monte Cassino and
father of Western monasticism; the rule that he established became the
norm for monastic living throughout Europe. In 1964, in view of the work
of monks following the Benedictine Rule in the evangelization and
civilization of so many European countries in the Middle Ages, Pope Paul
VI proclaimed him the patron saint of all Europe. (Encyclopædia
Britannica)
- Terry Matz, "St.
Benedict," Catholic Online
- St.
Benedict, American Catholic
- St. Benedict of
Nursia, Catholic Encyclopedia
- Jerome Theisen, "Saint
Benedict of Nursia," The Order of Saint Benedict
170 demagogue:
- a political leader who tries to get support by making false claims and
promises and using arguments based on emotion rather than reason (Merriam-Webster)
1: a leader who makes use of
popular prejudices and false claims and promises in order to gain power
2: a leader championing the
cause of the common people in ancient times
170 Wendell
Wilkie: Wilkie was the Republican presidential candidate running
against President Franklin D. Roosvelt in the 1940 election
- Wendell L. Willkie, in full Wendell Lewis Willkie (born Feb. 18, 1892,
Elwood, Ind., U.S.—died Oct. 8, 1944, New York City), U.S. Republican
presidential candidate in 1940, who tried unsuccessfully to unseat
President Franklin D. Roosevelt. He subsequently became identified with
his famous “One World” concept of international cooperation. (Encyclopædia
Britannica)
- Wendell Wilkie,
Presidential Contender, The Contenders, C-SPAN (2011; 2 hr. 3:54
min.)
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- Franklin
Roosevelt, conversation with Lowell Mellett about
spreading stories of Wendell Wilkie's private life to the media
(1940; with transcript; 10:50 min.)
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170 Julius Caesar:
- Julius Caesar (100 BC–44 BC)
Caesar was a politician and general of the late Roman republic, who
greatly extended the Roman empire before seizing power and making
himself dictator of Rome, paving the way for the imperial system. (BBC)
- A superb general and politician, Julius Caesar (c.100 BC–44 BC /
Reigned 46–44 BC) changed the course of Roman history. (PBS)
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- The Roman Empire: In the First
Century, PBS (2001)
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- Rome: Rise and Fall of an
Empire (2008)
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171 Shutruk-Nahhunte:
a king of Elam (currently in southwestern Iran) in 1,160 BC who founded a
new dynasty
- The Elamite kings Shutruk-Nahhunte and Kutir-Nahhunte invaded
Mesopotamia and succeeded in securing a large number of ancient
monuments (such as the Victory Stele of Naram-Sin and the stele bearing
the law code of Hammurabi). (Encyclopædia
Britannica)
- I.
Shutruk-Nahhunte and Kutir-Nahhunte, Chapter XXXII: Elam and
Western Persia, c. 1200–1000 B.C., The
Cambridge Ancient History (1973)
175 first-form:
a secondary school level equivalent to grade 7, a common system among
private preparatory schools
176 Truman:
177 Robert
E. Lee:
178 potentate:
- ruler, sovereign; broadly: one who wields great power or sway (Merriam-Webster)
179 cut:
179 Hadrian's gate:
180 John F. Dulles: The
real John Foster Dulles attended public schools in Watertown, New York. He
went on to Princeton University, the Sorbonne in Paris, George Washington
University Law School, and was US Secretary of State under President
Dwight D. Eisenhower from 1953 to 1959.
181 cardinal:
- cardinal (Merriam-Webster)
1: of basic importance <a cardinal principle>
2: very serious or grave <a cardinal sin>
184 how
the battle is lost for want of a horse: note also the implied
(but unsaid) comment on a lost rider, i.e., Sedgewick Bell; cf. the
proverb and nursery rhyme which is often used to mean small things can
have great consequences, or the outcome of history or the greater course
of things can depend on small details:
For want of a nail, the shoe was lost,
For want of a shoe, the horse
was lost,
For want of a horse, the rider
was lost,
For want of a rider, the battle
was lost,
For want of a battle, the
kingdom was lost,
And all for the want of a
horseshoe nail.
- For
Want of a Nail, the Shoe Was Lost, Mother
Goose: A Scholarly Exploration, Rutgers University
- Outlandish
Proverbs: A Translation
- For
want of a nail, etc., Dictionary
of Proverbs (2005)
- Smallness, Details, and Little Things, The Oxford Dictionary of American
Quotations (2006)
A little neglect may breed great mischief...for want of a nail the shoe
was lost; for want of a shoe the horse was lost; for want of a horse the
rider was lost.
—Benjamin Franklin, Poor Richard's
Almanack, June 1758
*The thought is sometimes extended with, "For the want of a rider the
battle was lost." Franklin himself, after stating the proverb, added
that the rider was "overtaken and slain by the enemy, all for want of
care about a horse-shoe nail." It is proverbial, included, for example,
in George Herbert's Jacula Prudentum,
1651.
- butterfly
effect, Merriam-Webster's
Dictionary of Allusions (1999)
- want (noun) (Merriam-Webster)
1 the fact or state of being
absent <the proverb that begins, “for want
of a nail, the shoe was lost”>
185 Scipio
Africanus Major:
200 The
die is cast: an expression that dates from classical times; the
dice has been rolled and can't be undone, meaning decisions or actions
have been made that cannot be unmade and certain consequences will
inevitably follow, a phrase that indicates both resignation and
determination, an ironic mix of reluctance and decisiveness; Mr. Hundert,
being a teacher of ancient Roman history, is probably thinking not merely
of the meaning of the phrase in general usage, but also of its historical
Caesar
- some process is past the point of no return (This die
is one of a pair of dice. This cast
means "thrown.") (NTC's
American Idioms Dictionary)
- After that speech favoring reform of the education system, the
die is cast. This is now a campaign issue.
- The die is cast. There is
no turning back on this point.
203 a
taste of copper in my throat: the usual phrase is "a taste of
copper in my mouth," copper referring to blood or something that tastes
like blood
211 Il
Iacta alea esto: Latin for "Let the die be cast," attributed to
Julius Caesar as he crosses the Rubicon river, in effect, declaring war
against ancient France in 49 B.C.E. It has the sense of "once you make
your move, you have to live with it, don't regret it, or you can't regret
it."
- Plutarch of Chaeronea, "Caesar
Crosses the Rubico," Life of
Caesar, trans. Rex Warner (1958)
For a long time he [Caesar] weighed matters up silently in own mind,
irresolute between the two alternatives. In these moments his purpose
was constantly changing. For some time too he discussed his perplexities
with his friends who were there, among whom was [the future historian]
Asinius Pollio. He thought of the sufferings which his crossing the
river would bring upon mankind and he imagined the fame of the story of
it which they would leave to posterity. Finally, in a sort of passion,
as though he were casting calculation aside and abandoning himself to
whatever lay in store for him, making use too of the expression which is
frequently used by those who are on the point of committing themselves
to desperate and unpredictable chances, 'Let the die be cast,' he said,
and with these words hurried to cross the river.
- the die is cast
- an event has happened or a decision has been made that cannot be
changed (Oxford
Dictionaries)
- said when a situation is certain to develop in a particular way
because decisions have been taken that cannot be changed (Cambridge
Advanced Learner's Dictionary)
- An irrevocable choice has been made (The
Phrase Finder)
- Something that you say when a decision has been made or something
has happened which will cause a situation to develop in a particular
way. A die is a small block of wood or plastic with different numbers
of spots on each side, used in games, and 'cast' means to throw.
<From the moment the first shot was fired, the
die was cast and war became inevitable.> (Cambridge
International Dictionary of Idioms)
227 whisper
into the ear of the chairman: cf. the expression "to have
someone's ear" which means "to know someone with power or authority who
will listen to you" (Macmillan
Dictionary), "to be able to give someone advice, influence them,
etc. because they trust you" (Oxford
Advanced American Dictionary), to "have access to and influence with
someone" (Oxford
Dictionaries); "If someone has the ear of an important person, their
ideas are listened to and considered important by that person." (Cambridge
Advanced Learner's Dictionary); a somewhat eerie echo of the earlier
ear-aid transmitter image during the Mr. Julius Caesar rematch
Themes
Ken
James: Ethan, what was the
theme in this story for you as a writer?
Ethan
Canin: The theme has to do with the power of a quiet life… The
power of a man to really make a change with his heart, his soul, as
opposed to having to be rich. A different kind of idol… A teacher’s life
is a very powerful, dignified life. We shouldn’t forget that. That’s what
Mr. Hundert loses sight of in the movie, and regains in the end. God bless
a great teacher… I didn’t have many.
Ken
James: You say you didn’t have
many great teachers. Was there one in particular that influenced you?
Ethan
Canin: I actually wrote [this story] after encountering—20 years
after graduating—an old grade school teacher of mine. He was a fabulous
teacher: a tyrant. It turns out those are the kind of teachers I remember.
All the Roman and Greek history that was in the story (not in the movie) I
actually remembered cause he just drove it into us.
I met the guy on the street 20 years later and he was practically
homeless. He was bedraggled. He was ill. He died a couple of months later.
I went home that day and wrote the story just thinking of him.
—Ken
James, "The Emperor's Club Interviews with
Author Ethan Canin and Screenwriter Neil Tolkin" (2002)
Study Questions
-
Mr.
Hundert begins his narrative with a list of negations
regarding the purpose of the story: “not for my own
honor,” “not as a warning,” “Nor do I tell it in
apology for St. Benedict’s School” (169). What
effect does this beginning of denials have on your
perception of the narrator and on your anticipation of
the story?
- How
does the initial pronouncement “This is a story without
surprises” turn out as you continue to read?
- What
is the Mr. Julius Caesar competition to the St.
Benedict’s community?
- Crime
and Punishment
- Mr. Hundert
says that his "first mistake" was giving Sedgewick
Bell "an A on a quiz on which he had earned only a B"
(181). Do you agree with Hundert that this was his
first bad step?
- Of
all the wrong things Mr. Hundert does in the story,
which should he feel most guilty for? Why?
- Which
of Mr. Hundert's actions toward Sedgewick Bell does he
consider a wrong, and how does he correct it/them?
- Who
do you consider the thief who has stolen from the
"palace" in "The Palace Thief" and why?
- In
what ways, if at all, are the characters who make a
morally questionable act or think they have punished
for their crimes?
- What
role do parents play in St. Benedict’s School?
- Explain
Sedgewick Bell's "labyrinthine wiliness" (187).
- How
do the actions of Mr. Hundert and Sedgewick in the two
Mr. Julius Caesar contests set up your expectations for
the coal-miners’ campaign scene?
- Consider
the battle imagery in the story. What is compared to a
battle? The battles in this story are fought for what
goals and with what weapons? Do the things being fought
for and weapons used in fighting change as the story
progresses?
- How
does Hundert’s selective rhetoric of certainty (“of
course,” “obvious,” “knew”) against uncertainty (“I
suppose,” “might,” “perhaps”)
affect your reading of content couched within either?
For example, consider these two sets of expressions:
- Expressions
made in language that normally indicates certainty
- an
average wood-beetle in the floor of my classroom
could have done so with ease. (174)
- Of
course, I have great respect for what Mr. Woodbridge
did for St. Benedict's in the years he was among us.
(185)
- Of
course, he also offered a good sum of money to me
personally. (201–2)
- I
knew it as certainly as if he had shown me. (213)
- Of
course, it makes no difference in the course of
history that as I tried to hold up the coat
Sedgewick Bell moved swiftly across the podium (225)
- Expressions
made in language that normally indicates uncertainty
- This
is why, I suppose, I accepted the invitation sent to
me by Mr. Sedgewick Bell at the end of last year
(170)
- In
retrospect, however, perhaps my strategy was a
mistake (174)
- Perhaps
that is why I again found an untenable compassion
muddying my thoughts. (185)
- I
suppose, in fact, that I lost my advantage here by
underestimating my opponents (196)
- I
had only taken it out of some vague sentiment that a
pistol might eventually prove decisive. (199)
- I
suppose I was flattered. (201)
- I
was sixty-eight years old—yes, perhaps too old to be
headmaster (205)
- perhaps
that is why...I decided to go hear him speak. (221)
- I
am reading of the ancient Japanese civilization now,
which I had somehow neglected before (226)
- Considering
what the Gazette picture
reveals, "an old man who has on his face the remnants of
a proud and foolish smile" (225), what difference is
there, then, between the "ignorant" miners and the
"educated" and knowing Mr. Hundert?
- How
does Mr. Hundert's feelings about Sedgewick change
throughout the story?
- How
are past, present, and future events connected in the
story through cause and effect, and through literary
devices?
-
Is
Mr. Hundert a good teacher? Explain.
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Review Sheet
Characters
Mr. Hundert
– a history teacher at St. Benedict's School; "I had come to this job
straight from my degree at Carleton College at the age of twenty-one,
having missed enlistment due to myopia" (184); "I was sixty-eight years
old—yes, perhaps too old to be headmaster" (205)
Sedgewick Bell
– son of Senator Bell; "Sedgewick appeared in my classroom in November of
1945, in a short-pants suit. It was midway through the fall term" (170);
thirteen years old when he entered the first form at St. Benedict's (175);
"natural leadership" (174); "He had grown physically larger as well, and
now when I chanced upon him on the campus, he held his ground against my
disapproving stare with a dark one of his own...he had cultivated, despite
his boorish character, an impressive popularity among his
schoolmates...His stride had become a strut" (191)
Fred Masoudi
– "a somewhat gifted boy" (181); "bouncing about in the Italian suit and
alligator shoes of the advertising industry, yet he was still drawn
immediately to the other do-nothings from his class" (208)
Martin Blythe
– "a studious type" (181); "lost half his leg as an officer in Korea, and
now, among his classmates, he tried to hide his lurching stride, but he
wore the same knitted brow that he used to wear in my classroom" (208)
Deepak Mehta – "the son
of a Bombay mathematician, who was dreadfully quiet but clearly my best
student" (181); "had become a professor of Asian history, walked with a
slight stoop, yet he still turned his eyes downward when spoken to" (208);
"his rise through academia to a post at Columbia University...although he
looked healthy enough, he told me that he had recently had a small heart
attack" (209)
Charles Ellerby – "our
new Latin instructor" (189); "I confided in him about Sedgewick Bell's
behavior and Mr. Woodbridge's response, he suggested that it was my duty to
circumvent our headmaster and speak directly to the boy's father" (189)
Mr. Woodbridge – headmaster of St. Benedict's School (171)
Senator Sedgewick Hyram Bell – (175); "At the time,
Senator Sedgewick Hyram Bell as appearing regularly in the newspapers
and on the radio in his stand against Truman's plan for national
health insurance" (176); "feisty as a game hen, bursting through a
side door and clapping me on the shoulder" (177); "likeable" (177);
Charles Ellerby
– (175); "
Setting
Place
USA –
Woodmere, Virginia
St.
Benedict's School – "St. Benedict's lies in the bucolic, equine
expanse of rural Virginia, nearer in spirit to the Carolinas than to
Maryland" (177); "I taught you [Sedgewick Bell] at St. Benedict's School in
Woodmere, Virginia" (225)
Mr.
Hundert's history classroom – (170)
Mr. Hundert's room – "In those days
I lived in small quarters off the rear of the main hall, in what had been
a slave’s room...With my bed folded into the wall, the room became my
office" (175)
retirement lodging –
Washington, D.C.
Senator Bell's office – "The office was as grand as a
duke's" (177)
Charlotte, Carolina
island – "The event [rematch of Mr. Julius Caesar] was
to take place on an island off the Outer Banks of Carolina that belonged
to EastAmerica Steel" (203); "On the island I was shown to a suite of
rooms in a high corner of the lodge, with windows and balconies
overlooking the sea" (207)
EastAmerica's lodge – "That evening
all of us ate together in the lodge" (207)
Time
Autumn – (170)
November 1945
– "Sedgewick appeared in my classroom in November of 1945" (170)
March 15, 1946
– "On the fifteenth of March, when the three finalists took their seats on
stage in front of the assembled population of the school, Sedgewick Bell
was among them, and his father was among the audience" (181)
Summer – "But as the
summer progressed, a certain dread began to form in my mind" (205)
June 1986 – "At the commencement exercises in June a small section of the
ceremony was spent in my honor" (203); "in the eerie quiet of summer"
(204)
July 1986 – "In early July, however, Sedgewick Bell's secretary finally
did call" (206)
Sample Student
Responses to Ethan Canin's "The Palace Thief"
Response 1:
Wijitra
Duangpaisal
2202234
Introduction to the Study of English Literature
Acharn Puckpan
Tipayamontri
June 21, 2013
Reading
Response 1
Title
Text
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Response 2:
Ardhasidh Kumjin
2202234
Introduction to the Study of English Literature
Acharn Puckpan
Tipayamontri
November 3, 2013
Reading
Response 1
In Fact, I Lied:
The Paradox of Teaching
Teachers,
even—or especially—those who consider themselves to
be good, as Mr. Hundert in Ethan Canin’s “The Palace
Thief” shows us, will do all sorts of bad things in
the course of teaching. In the service of education,
to teach boys to be good students and better adults,
Mr. Hundert lies, commits cardinal sins in teaching,
takes bribes, helps students to cheat, violates
rules, and, in effect, becomes a criminal (189). If
his students turn out morally upright citizens, it
is the converse of teaching by example.
In
an attempt to reach out to morally dubious Sedgewick
Bell, he takes out Martin Blythe from the
competition (181). Later, in an effort to teach
Sedgewick a lesson about cheating, he forces
innocent Deepak Mehta to cheat. By asking Mehta an
illegitimate question, he eliminates a potential
winner who is unqualified for the competition in the
first place. To right a wrong, he commits further
wrongs. By punishing Sedgewick for cheating, he is
teaching Mehta to win by it.
Just
as tragedies can have more impact than comedies, so
too the lessons of school and life are often most
forceful when they come at moments of loss. For
students, it seems nothing is as shocking as
failure. And, by Canin’s observation in an interview
and Mr. Hundert’s own admittance: “The best of my
teachers had been tyrants” (184). It is ironic to
think of failure and oppression as conditions for
effective learning, yet “The Palace Thief” seems to
present the idea that we learn best by
disappointment and bad example. The heartbreak and
injustice of a liar and cheater being cheered into
government office and having the power to sway and
command while a truthsayer is unheard in the
resulting noise delivers its own potent lesson. Most
selfishly, it may urge one to prevent seeing such a
history made.
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Media
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- The Emperor's Club,
dir. Michael Hoffman, perf. Kevin Kline, Emile Hirsch,
Joel Gretsch (2002; 1 hr. 49:10 min.)
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Ethan Canin
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Interviews and Profiles
- Rebecca Murray, "Ethan
Canin Talks about The
Emperor's Club" (2002)
- Ken James, "The Emperor's Club
Interviews with Author Ethan Canin and Screenwriter Neil
Tolkin" (2002)
- Jane Rosenzweig, "How
Did Your Life Turn Out?," The
Atlantic (1998)
- Lewis Burke Frumkes, "A
Conversation with Ethan Canin," Writer
113.5 (2000; discussion of Canin's novel For
Kings and Planets, and early writing experience,
among other things)
- Kevin Nance, "From
Vladivostok to Gibraltar on His Knees: A Profile of
Ethan Canin," Poets
and Writers (2008)
- Robert Birnbaum, "Ethan
Canin," Identity
Theory (2001)
- Ethan
Canin, The
Writing University (2011)
- Ellen Kanner, "Ethan
Canin Leads Readers on a Journey across Time and Space,"
BookPage (2001)
- Cate Corcoran, "The
Double Life of Ethan Canin," Stanford
Magazine (1999)
- Jill Owens, "Ethan
Canin's America," Powell's
Books (2008)
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Reference
Canin,
Ethan. "The Palace Thief." The
Palace Thief. London: Bloomsbury, 1994. 169–227.
Print.
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